![]() ![]() Unmentioned, along with the fact that her boyfriend won't be following her to graduate school in Michigan because he's actually a married professor, is something it will take years - and a failed marriage to an "endlessly supportive" man who gets on her nerves - to face: "he fact that I instinctively hate kindness." But in this first conversation, the narrator, like the writer in Cusk's Outline trilogy, does not divulge much about herself. We'll learn much more about the narrator's shame later. The narrator absorbs all this, along with Artemisia's remarks that for women, "raised to believe that they should not desire sex," desire is often linked to shame. in a hedge maze of her own careful design."īook Reviews 'Normal People' Appeals Across Genders And Generations ![]() What she found, the narrator surmises, was security, but at the cost of being "Trapped. What she wanted, she tells the 21-year-old narrator, was a strong man who could take care of her without needing to control her. She left her first husband, she explains, after an episode of jealous, violent sex - not because she was afraid of him but because it revealed his weakness and desperation. She joins the narrator one night on their hotel suite's terrace, and, over wine and cigarettes, soliloquizes on her two marriages to older, esteemed professors. Artemisia Perez, an elegant, New York-based Argentinian psychotherapist "no older than forty-four" has hired the narrator - her daughter's friend - to accompany the family on vacation to Italy to mind her 7-year-old twin sons. The first conversation, with the mother of the narrator's college classmate, has the flavor of a Rachel Cusk interchange - which is to say, it's mostly a one-way confession. But above all, the vagaries of female desire, which for some is about a wish to be cared for, while for others takes the form of wanting to control or be controlled. Irritation with weak or overly dependent men. Female subjugation, exploitation, and humiliation. ![]() Self-sabotaging behavior, including deliberately harmful lies. What do these women talk about when they talk about love? Affairs with older professors. Her unnamed narrator, a troubled young woman, reports on a series of conversations with various other women - a classmate's mother, fellow graduate students, fellow single mothers - over a span of 17 years following her graduation from college in 2000. In Miranda Popkey's slim but potent first novel, Topics of Conversation, sex, desire, and failed relationships are ever at the fore. Not just from accused men proclaiming their innocence, but from a wave of novels (including Mary Gaitskill's This Is Pleasure, and Sally Rooney's Normal People) reminding us that relationships and female desire can be complicated and quirky. You knew it was bound to happen: the pushback against the #MeToo movement, the arguments for nuance. Your purchase helps support NPR programming. Edgy, wry, and written in language that sizzles with intelligence and eroticism, this novel introduces an audacious and immensely gifted new novelist.Close overlay Buy Featured Book Title Topics of Conversation Author Miranda Popkey In exchanges about shame and love, infidelity and self-sabotage, Popkey touches upon desire, disgust, motherhood, loneliness, art, pain, feminism, anger, envy, and guilt. O, The Oprah MagazineĪ Best Book of the Year by TIME, Esquire, Real Simple, Marie Claire, Glamor, Bustle, and moreĬomposed almost exclusively of conversations between women-the stories they tell each other, and the stories they tell themselves- Topics of Conversation careens through twenty years in the life of an unnamed narrator hungry for experience and bent on upending her life. "Shrewd and sensual, Popkey's debut carries the scintillating charge of a long-overdue girls' night. A compact tour de force about sex, violence, and self-loathing from a ferociously talented new voice in fiction, perfect for fans of Sally Rooney, Rachel Cusk, Lydia Davis, and Jenny Offill.
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